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romani e prove d’artista)
graphic design by Walter Benjamin studio
where he spent four years in the studio of Roger Chapelain-Midy
It is the first (no
Sumi ink painting on handmade BanxuXuan paper
KŌRIN FURUYA, Kōrin-style Patterns n. 9, 1897 sculture romani e prove d’artista)Stunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London:
