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Two charming Tibetan women were selling personal sized watermelons at a roadside stand
serves as a visual metaphor for the existential absurdity we all navigate
I use the paper from National Geographic magazines to create a new image
Alexandra Treadaway-Hoare
and the quiet beauty of connection that carries through time
Stochastic #1, 2024, shaped painting on birch panel, 12 x 12 in. / 30.48 x 30.48 cm. arts Two charming Tibetan women wereStochastic #1, Robert Fogel, 2024, shaped painting on birch panel, 12 x 12 in. 30. 48 x 30. 48 cm. This wall sculpture represents an attempt a creating a non representational image from discrete, random elements. Statistics states that creating a truly random pattern is impossible because the human mind imposes order on objects. Pollack's splash paintings are cited as the only examples in art.
