Issey Miyake women interspersed with correspondence and essays

interspersed with correspondence and essays dating back to 1978

photographed in its current condition by Filip Dujardin and read from mutliple perspectives in 9 essays

fairy tales and empirical conversations with numerous international voices such as Dipesh Chakrabarty

mixing and preserving – the issue features 11 personal stories about Iranian funk

they investigate options for new approaches to green spaces and wastelands as well as the revitalization of public spaces through the use of existing resources by means of specific urban design and architectural measures to create liveable public spaces with simple means even during the process of reconstruction

Issey Miyake women interspersed with correspondence and essaysA tribute to the designer Issey Miyake. In 1983, Japanese designer Issey Miyake told The New Yorker that he aspired to forge ahead, to break the mold. With the boundary defying fashion lines that followed, he not only broke molds, but recast clothing altogether. With a unique fusion of poetry and practicality, his creations blur the boundaries between tradition, modern technology, and everyday function. This definitive history of Miyakes clothes from