Beyond the Image printing durch atmosphärische erzählende Illustrationen oder

durch atmosphärische erzählende Illustrationen oder durch Seiten

By focusing on her own social milieu—the art world—Graw demonstrates how friendships are neither totally disinterested nor reduceable to their use

its colour palette is taken from the materials we investigated and used within the project

number of palm trees and all the blank pages from Ruscha’s original

M/M (Paris)

Beyond the Image printing durch atmosphärische erzählende Illustrationen oderToday, we do not believe in images anymore. This incredulity is, in part, the product of technology. From brainrot to deepfakes, from NFTs to sloppy content, the function of the image is not representation but only the reproduction of capital. In the twentieth century, the machine automated the hands of workers; in the twenty first century, it automates the eyes of consumers. The conveyor belt is upgraded by scrolling. In the age of electronic