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‘The Crooked: Typefaces for Baseless Rumors’ from Bea Schlingelhoff is published on occasion of her exhibition at the Palais de l’Athénée
moreund findet in einem Weizenfeld ein neues
’ featuring a pillowy cloud-shaped logo on its gradient grey cover
psychology and relationships
It has safeguarded the archives of such key figures as Luis Barragan and Alexander Girard
Charlotte Perriand. The Art of Dwelling humour ‘The Crooked: Typefaces for BaselessThis exhibition catalogue celebrates one of modernism's most influential designers and explores the enduring relevance of her thinking today. Charlotte Perriand understood design as cultural and social practice. Through intensive engagement with architecture, craftsmanship, and industrial production, she developed a spatial philosophy that unites functionality, aesthetic clarity, and social responsibility. For her, dwelling was not a styleit was a
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